On Revolver Aesthetics, Part 5 - Toward the future
Monday, September 10, 2007 Filed in:
Revolvers, Personal
opinions
If you're just joining us, I
ask that you peruse the earlier parts of this Series:
Part 1
Part 2
Part 3
Part 4
Now, on with the show!
The challenge of revolver design today is in how to bring the aesthetics up to date, to allow (or take advantage of) advances in material and manufacturing technology, while simultaneously maintaining the essence of just what a revolver is. At first blush this seems like an impossible task: make a modern looking traditional firearm. Some would say that it's akin to fitting a muzzle loader with LaserGrips!
I disagree. I think that the essence of the revolver isn't a traditional look, but rather a familiar operation; of simplicity, not complication. Don't get me wrong - I like a traditional revolver as much as anyone, but for me it's always about how the gun WORKS. I don't shoot, carry, compete with, train with, and work on revolvers because I'm a nostalgic Luddite; I'm a thoroughly forward-looking Luddite!
Heretical? Some might say so. Inconsistent? I don't see it. At the end of the day, it's the cylinder (and the way that it works) that makes the revolver, regardless of what the packaging looks like.
Let's take a look at efforts to modernize the wheelgun.
One of the more successful changes in the look of the revolver was the introduction of the Colt Python (which we've already covered) back in 1955. The lugged barrel, still debated (and despised) by some, was a real departure in revolver design.
Smith & Wesson has had their share of "pushing the envelope" designs too. Some of their more recent efforts are styling disasters, but they haven't all been - take the groundbreaking "hammerless" Centennial series, first introduced in 1952.
Photo courtesy of www.snubnose.info
The Centennial, with its fully enclosed hammer, was a sleeker, more modern approach to the small frame revolver. The design is much more forward looking than its "Bodyguard" stablemate; unlike some designs has aged very well and is still in production. Note the back end of the gun, where the hammer would normally be - the way that it comes down to integrate the rear sight and the top of the grip is so simple, yet so effective. Great design, and can truly be called a "modern classic."
Sometimes a design needs an iteration (or two...or three) before it really hits its stride. Take a look at the original Dan Wesson design:
Dan Wesson photos courtesy of www.notpurfect.com
The DW was an exciting revolver when first introduced in the late '60s. Combining modern materials and revolutionary features, it was sadly lacking in the appearance department. Karl Lewis, though one of the greatest firearms designers in American history, was not terribly adept at making his guns look as good as they worked, and the original DW design was proof.
Where to start? The ugly barrel retaining nut, the inelegant matching of the "L" shaped barrel shroud and the frame, the ungainly front sight, the the use of a traditional barrel shape on an otherwise modern frame all combined to make a look that can only be described as "horrendous."
A few years later, with some work on both the engineering and aesthetics, the DW Model 15 finally hit the mark:
The square-slab lugged barrel with vented rib (they learned from Colt!) finally combined to serve as a perfect match for the frame. It had a sort of industrial look to it that still looks good today. Even on this 6" example, it is visually balanced - a tough thing to do with a heavy barrel, but the DW pulls it off.
Ruger went through the same kind of evolution, but it took a little longer. Their original double action design was, like the Dan Wesson, groundbreaking in many engineering ways - modern materials, production methods, and the elimination of screws. These were combined to make the "Six" Series (Speed-, Security-, and Service-Six models):
Photo courtesy of www.landro.no
Now understand that I'm a big fan of the Sixes, but let's face it - they were pretty ugly. The barrel just didn't mesh well with the squarish frame (note the steep drop from the top of the frame to the barrel shank.) It looks for all the world like one of those cheap .22 revolvers from the various German makers that were common here in the '60s. The inelegant hammer spur didn't help matters, either.
They did significantly better with the GP100 - the lugged barrel balances the heavy frame much better - but the barrel still doesn't quite match the lines of the frame:
Photo courtesy of www.ruger.com
They kept at it, and finally hit a home run with the SP101 - a thoroughly modern design, in both construction and aesthetics. It is, in my humble estimation, the best attempt at a modern appearance of all of the currently available revolvers.
Photo courtesy of www.ruger.com
The barrel was a radical departure in profile; no longer constrained to rather simple combinations of basic geometric shapes, the SP101 barrel is instead a sensuous "S" curve, which mates to the lines of the frame exceptionally well. The barrel's "rib" fits right to the top of the frame, and the recoil shield is sculpted on the right side. It seems to grow from the frame wall, rather than being merely attached to it in the manner of the older Sixes. The ugly hammer spur remains, but it doesn't seem so bad on this gun - probably because the rest of the design works so well. (Yeah, the grips stink, but one can at least replace the cheesy plastic panels with aftermarket wood or micarta.)
How about really pushing the envelope? How about setting out to produce a radically different revolver? There have been attempts - the original Mateba designs, the MTR8 (and later 2006M and Unica) certainly tried:
Photo courtesy of www.worldguns.ru
These, however, were attempts to change the very nature of what a revolver is; how about if we take the accepted design envelope, and simply...update it? That, folks, brings us to the very radical, yet still familiar, Manurhin MR 93:
Photo courtesy of www.army-discount.com
The barrel shroud is square in profile, which compliments the distinctly angular frame. The cylinder - now something of a round peg in a square hole - is brought into the design with its squarish fluting. The recoil shield flares into the frame, in an extreme update of the SP101 we saw above. The triggerguard features the same sort of updating (though I could live without the faddish hook on the front.) Even the hammer spur was simplified, angled, and minimized to fit the overall theme. The very European grips complete the package by bringing the otherwise austere gun back to its roots - rounded so that the hand can comfortably grasp them, and wood to warm up what could have otherwise been a very cold appearance.
Remember what I said a while back about the difference between what you like and what you can appreciate? This is it. You may not like it; you may think it blasphemous. You may not wish to own it. All of that is fine and very normal; but you have to admire the elements, how they hold together and compliment each other, and how the design is unified, even if you wouldn't want it in your safe. The eye moves through and around the design very well, and even the choice of materials is "correct" from an aesthetic viewpoint.
Back on August 29 I wrote that this part of the series might put off more than a few of you. Here it comes: I think it's one of the best revolver designs ever. Yes, I'm serious. It pushes the envelope, but skillfully uses all of the design criteria we've learned about in this series. It is thoroughly, unabashedly modern, but manages to retain the essence of what a revolver is. All of the design elements work so well together, and the design as a whole is striking - but not in the way the Mateba MTR8 is. At its heart it is still that traditional machine we all appreciate, even if its clothing is of a different era.
You don't like it? That's fine! Don't ignore it, though, for how it looks can teach us much about revolver design, and may even help us identify just what it is we do (and don't) like.
I hope this series has exposed you to ideas and concepts that you might not have otherwise considered. If it has done so, I will have succeeded in my original aim to expand our wheelgun horizons. I welcome your comments!
Next week, the Epilogue: how I approach customization in relation to revolver aesthetics, and why I've chosen not to do certain things.
-=[ Grant ]=-
Part 1
Part 2
Part 3
Part 4
Now, on with the show!
The challenge of revolver design today is in how to bring the aesthetics up to date, to allow (or take advantage of) advances in material and manufacturing technology, while simultaneously maintaining the essence of just what a revolver is. At first blush this seems like an impossible task: make a modern looking traditional firearm. Some would say that it's akin to fitting a muzzle loader with LaserGrips!
I disagree. I think that the essence of the revolver isn't a traditional look, but rather a familiar operation; of simplicity, not complication. Don't get me wrong - I like a traditional revolver as much as anyone, but for me it's always about how the gun WORKS. I don't shoot, carry, compete with, train with, and work on revolvers because I'm a nostalgic Luddite; I'm a thoroughly forward-looking Luddite!
Heretical? Some might say so. Inconsistent? I don't see it. At the end of the day, it's the cylinder (and the way that it works) that makes the revolver, regardless of what the packaging looks like.
Let's take a look at efforts to modernize the wheelgun.
One of the more successful changes in the look of the revolver was the introduction of the Colt Python (which we've already covered) back in 1955. The lugged barrel, still debated (and despised) by some, was a real departure in revolver design.
Smith & Wesson has had their share of "pushing the envelope" designs too. Some of their more recent efforts are styling disasters, but they haven't all been - take the groundbreaking "hammerless" Centennial series, first introduced in 1952.
Photo courtesy of www.snubnose.info
The Centennial, with its fully enclosed hammer, was a sleeker, more modern approach to the small frame revolver. The design is much more forward looking than its "Bodyguard" stablemate; unlike some designs has aged very well and is still in production. Note the back end of the gun, where the hammer would normally be - the way that it comes down to integrate the rear sight and the top of the grip is so simple, yet so effective. Great design, and can truly be called a "modern classic."
Sometimes a design needs an iteration (or two...or three) before it really hits its stride. Take a look at the original Dan Wesson design:
Dan Wesson photos courtesy of www.notpurfect.com
The DW was an exciting revolver when first introduced in the late '60s. Combining modern materials and revolutionary features, it was sadly lacking in the appearance department. Karl Lewis, though one of the greatest firearms designers in American history, was not terribly adept at making his guns look as good as they worked, and the original DW design was proof.
Where to start? The ugly barrel retaining nut, the inelegant matching of the "L" shaped barrel shroud and the frame, the ungainly front sight, the the use of a traditional barrel shape on an otherwise modern frame all combined to make a look that can only be described as "horrendous."
A few years later, with some work on both the engineering and aesthetics, the DW Model 15 finally hit the mark:
The square-slab lugged barrel with vented rib (they learned from Colt!) finally combined to serve as a perfect match for the frame. It had a sort of industrial look to it that still looks good today. Even on this 6" example, it is visually balanced - a tough thing to do with a heavy barrel, but the DW pulls it off.
Ruger went through the same kind of evolution, but it took a little longer. Their original double action design was, like the Dan Wesson, groundbreaking in many engineering ways - modern materials, production methods, and the elimination of screws. These were combined to make the "Six" Series (Speed-, Security-, and Service-Six models):
Photo courtesy of www.landro.no
Now understand that I'm a big fan of the Sixes, but let's face it - they were pretty ugly. The barrel just didn't mesh well with the squarish frame (note the steep drop from the top of the frame to the barrel shank.) It looks for all the world like one of those cheap .22 revolvers from the various German makers that were common here in the '60s. The inelegant hammer spur didn't help matters, either.
They did significantly better with the GP100 - the lugged barrel balances the heavy frame much better - but the barrel still doesn't quite match the lines of the frame:
Photo courtesy of www.ruger.com
They kept at it, and finally hit a home run with the SP101 - a thoroughly modern design, in both construction and aesthetics. It is, in my humble estimation, the best attempt at a modern appearance of all of the currently available revolvers.
Photo courtesy of www.ruger.com
The barrel was a radical departure in profile; no longer constrained to rather simple combinations of basic geometric shapes, the SP101 barrel is instead a sensuous "S" curve, which mates to the lines of the frame exceptionally well. The barrel's "rib" fits right to the top of the frame, and the recoil shield is sculpted on the right side. It seems to grow from the frame wall, rather than being merely attached to it in the manner of the older Sixes. The ugly hammer spur remains, but it doesn't seem so bad on this gun - probably because the rest of the design works so well. (Yeah, the grips stink, but one can at least replace the cheesy plastic panels with aftermarket wood or micarta.)
How about really pushing the envelope? How about setting out to produce a radically different revolver? There have been attempts - the original Mateba designs, the MTR8 (and later 2006M and Unica) certainly tried:
Photo courtesy of www.worldguns.ru
These, however, were attempts to change the very nature of what a revolver is; how about if we take the accepted design envelope, and simply...update it? That, folks, brings us to the very radical, yet still familiar, Manurhin MR 93:
Photo courtesy of www.army-discount.com
The barrel shroud is square in profile, which compliments the distinctly angular frame. The cylinder - now something of a round peg in a square hole - is brought into the design with its squarish fluting. The recoil shield flares into the frame, in an extreme update of the SP101 we saw above. The triggerguard features the same sort of updating (though I could live without the faddish hook on the front.) Even the hammer spur was simplified, angled, and minimized to fit the overall theme. The very European grips complete the package by bringing the otherwise austere gun back to its roots - rounded so that the hand can comfortably grasp them, and wood to warm up what could have otherwise been a very cold appearance.
Remember what I said a while back about the difference between what you like and what you can appreciate? This is it. You may not like it; you may think it blasphemous. You may not wish to own it. All of that is fine and very normal; but you have to admire the elements, how they hold together and compliment each other, and how the design is unified, even if you wouldn't want it in your safe. The eye moves through and around the design very well, and even the choice of materials is "correct" from an aesthetic viewpoint.
Back on August 29 I wrote that this part of the series might put off more than a few of you. Here it comes: I think it's one of the best revolver designs ever. Yes, I'm serious. It pushes the envelope, but skillfully uses all of the design criteria we've learned about in this series. It is thoroughly, unabashedly modern, but manages to retain the essence of what a revolver is. All of the design elements work so well together, and the design as a whole is striking - but not in the way the Mateba MTR8 is. At its heart it is still that traditional machine we all appreciate, even if its clothing is of a different era.
You don't like it? That's fine! Don't ignore it, though, for how it looks can teach us much about revolver design, and may even help us identify just what it is we do (and don't) like.
I hope this series has exposed you to ideas and concepts that you might not have otherwise considered. If it has done so, I will have succeeded in my original aim to expand our wheelgun horizons. I welcome your comments!
Next week, the Epilogue: how I approach customization in relation to revolver aesthetics, and why I've chosen not to do certain things.
-=[ Grant ]=-
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